WINNER
BANKSIA RAIN
Medium: acrylic on linen
Size: 183 x 183cm
Anita West’s landscape is immediately captivating in its scale and vibrant palette. Bright gum leaves and banksia melt and converge towards the painting’s central vortex, pulling the viewer into a void of running colour and empty space. Originally a visual response to the 2019 Girraween National Park bushfires, the work was then ruined by the 2022 Brisbane floods that devastated Anita’s studio. Eventually, years later, the painting was salvaged and transformed into the final work before us. With this context, the central abyss becomes a powerful metaphor for both Anita's personal struggles with creativity post-flood, as well as the broader impact these events had on our community and environment. Amidst this turmoil, however, there lies a quiet sense of hope and optimism. The ink washes echo the cleansing of flood debris by water, while blossoming flowers reveal the beauty and assurance of nature’s ability to regenerate. The result is a rich story of environmental and emotional resilience, and is a deserving winner of this year’s Landscape Prize.
Runner Up
FLOWERING PURSUIT TRIPTYQUE
Medium: Photographic
Size: 150 x 300cm
HIGHLY COMMENDED
THE LANTANA MCHAPPY MEAL
This work locates the landscape within PopArt where Lantana as invasive species is something like rapid multiplication of fast-food outlets. Combining these through craft demonstrates the power of our actions in affecting change through making.
Medium: Wool, cotton, canvas mesh
Size: 25 x 28cm
HIGHLY COMMENDED
Sponsored by Art of Framing
ELEVATION I (ALLIE COVE)
A compelling image, with rich textures and impasto's whilst incorporating subtle hues and tones. Strong aesthetics hold all these elements together in a piece that capture the heat and rugged nature of the environment.
Medium: Oil on linen
Size: 150 x 100cm
HIGHLY COMMENDED
Sponsored by Art of Framing
SUNSET ON THE GRANITE BELT
Sunsets are notoriously hard to pull off in painting without becoming sickly in one way or another. This plein air painting succeeds in avoiding all the pitfalls. Close observation from life is clearly evidenced.
Reminiscent of plein air work of the past, captured quickly and is a solid impression of the landscape under highly transitory conditions.
Medium: Oil
Size: 10 x 25cm
HIGHLY COMMENDED
Sponsored by Art of Framing
THE SWIMMER
Painstakingly rendered yet still harmonious in it's flow.
Medium: Watercolour & Ink
Size: 80 x 120cm
HIGHLY COMMENDED
Sponsored by Art of Framing
BOXED IN
This is a view of the landscape that we don't often see in photography, the formal composition of vertical and horizontal lines, combined with primary colours, and flatness creates a painterly affect associated with modernist painting. This manifestation of early abstraction into urban living creates here a claustrophobic environment.
Medium: Photograph
Size: 81 x 81cm
HIGHLY COMMENDED
ETCHED THROUGH TIME
Medium: Acrylic, ink and heated soldering iron on timber
Size: 150 x 150cm
HIGHLY COMMENDED
Sponsored by Art of Framing
LANDSCAPE DIPTYCH, RATTLE AND SLIDE
Colour and mark are successfully deployed here making one wish to continue exploring where they lead. Much is suggested, intentionally or unintentionally, sometimes the suggestion of a profile or creature or a sense depth and certainly the detritus of the bushland floor. All executed in harmonious colour.
The expressive nature and energy of this piece conveys the bush in a highly engaging work, which has vitality and spirit of a noon day in a scrubland
Medium: Oil on canvas, Framed in oak
Size: 48 x 124cm
HIGHLY COMMENDED
AQUA PARK
Medium: Oil paint and ink on aluminium composite
Size: 97 x 138cm
Packer's Prize
Sponsored by Pack & Send Milton
TWIN PEAK MIST
Medium: Oil
Size: 60 x 120cm
Best Of Brisbane Award
Sponsored by Ray White Paddington
LIGHTNING CRACK OVER BRISBANE
Medium: organic pigment colour
Size: 80 x 60cm
I AM APPALLED BY THE NUMBER OF PEOPLE WHO DON'T WEAR HATS WHEN WALKING IN THE WARRUMBUNGLES
View Details