Artist Name: ABBEY BRYON
Artwork Title: RED HILL ONE
Medium: Acrylic & oil pastel on canvas
Size: 33 x 33cm
About the Artist:
Abbey Bryon is an emerging abstract artist, originally from rural New South Wales, now based on Sydney’s Northern Beaches. Working from memory and experience and informed by the unapologetic Australian environment, her work is an unforced and organic abstraction of the natural world. Her process involves intuitive and playful mark making which loosely reflects the landscape, either imaginary or recalled from memory or muse. Utilising colour theory and mood, she develops unexpected palettes and compositions.
Her latest series, Renewed, explores unique landscape compositions and mirrored imagery through diptych. Various pieces have been painted to allow the collector to arrange them in four different ways: either side-by-side or mirrored vertically. Through this process, she invites the viewer to challenge bias and perspective, and encourages holistic views, experimentation, and open minded exploration of ideas.
Highly receptive to her environment, the artist finds a wealth of inspiration in her studio space at Eramboo Artist’s Environment in Terrey Hills, surrounded by bushland and bordering the Ku-Ring-Gai Chase National Park. She uses mixed media including acrylic, charcoal, oils and pastel to convey her connection to the land.
Abbey was highly commended in The Gallerist’s Emerging Art Prize 2021 with her work “Amateur’s Hill After A Thunderstorm”. She has exhibited with The Other Art Fair in Sydney, where she was a featured artist within the Saint Cloche curation as well as the Art Money Curation in December 2021. Her work is featured and sold via Art Lovers Australia and Bluethumb Art, and has been featured in several issues of Art Edit Magazine.
Artist Statement:
One half of a diptych that can be arranged four different ways, either side-by-side or mirrored vertically. The piece depicts three overlapped landscapes from varied viewpoints, inspired by the bushland surrounding the artist’s home.
The artist’s process is swift and intuitive, yet deliberately accidential, with considered and organic mark making that creates a finish similar to a screenprint on the canvas. The raw linen substrate creates negative space between the layers of landscape imagery, allowing the viewer to arrange the diptych as they wish to interpret it.